Exhibitions and Publications
Senior Lecturer in Drawing and Installation, Lancaster University, UK
2019 Absence/ Presence: A Wedding Dress and the Drawings of Sarah Casey
MLC Ryerson Universty, Toronto.
Curated by Ingrid Mida. Includes garments form the Ryerson University Fashion Research Collections.
2019 Ruskin's Good Looking!
Brantwood, Coniston, UK. Catalogue with essays by Anuradha Chaterjee and Ingrid Mida
2016 Our Imperceptible Universe
Blyth Gallery, London. Part of Being Human 2016, the national festival of the humanities
2015 Dark Matters: Our Imperceptible Universe.
Peter Scott Gallery, Lancaster, Catalogue: Casey S (ed.)Our Imperceptible Universe: an experiment in Cosmology art and Social Science. (AHRC, Institute of Physics & Lancaster University, 2015) pp1-50 ISBN: 978-1-86220-326-6
2015 Common Grounds: Lace Drawn from The Everyday
The Bowes Museum, County Durham, May – July 2015. UK. A two-gallery installation. Catalogue texts by textile historians Joanna Hashagen, Annabel Talbot, and poet Elizabeth Burns in Casey S. Common Grounds: Lace Drawn from the Everyday (Barnard Castle: The Bowes Museum 2015) pp1-58. ISBN : 978-0-9568433-2-6.
2013 Hidden Drawers
Kensington Palace, London. January-May 2013
Catalogue texts by Textile Curator Alexandra Kim and Art Historian Dr Diane Hill in Casey S. (ed.) Hidden Drawers (London: Historic Royal Palaces 2013). ISBN: 978-1-86220-299-3 pp1-40.
2012 Drawing the Delicate, Peter Scott Gallery, Lancaster.
2010 Glimpses, Roadside Attractions Gallery , Toronto, Canada May -June 2010
Selected Group Exhibitions
2019 The Ruskin Museum of the Near Future Launch Exhibition, The Ruskin, Lancaster
2019 Ruskin's Manchester: "Devil's Darkness" to Beacon City, All Saints Library Manchester Metropolitan University, Uk
2018 You and I are Continuous Beings, Birmingham City University, Birmingham
2017 The Nth Degree, Foundry Arts Center, Missouri, USA
2017 Brink Open, Brink, London
2015 Paper Chair Wall and After, National Taiwan University of Arts, Taipei, Taiwan
2015 Drawing Conversations, Coventry University Gallery, Coventry, UK
2015 Words in the Gallery, Bath Spa University, Bath
2015 Beyond Perception, University of Aberdeen
2014 Jerwood Drawing Prize 2014, Jerwood Space, London & touring
2014 Paper Chair Wall and After, University of Northumbria Gallery
2013 Darkness at the Edge, Propeller Visual Arts Centre, Toronto, Canada
2013 Sketch 2013: A National Survey of British Artist Sketchbooks, Rabley ContemporaryDrawing Centre, Marlborough, UK and touring.
2013 Drawing Open Competition, Salisbury Arts Centre, Salisbury, UK
2011 Sketch 2011: A National Survey of British Artist Sketchbooks, Rabley ContemporaryDrawing Centre, Marlborough, UK
2011 The Moment of Privacy Has Passed, Usher Gallery, Lincoln
2010 Paperworks 3: British Artists working with paper, Bury Art Gallery and Museum, Bury
2010 Open Drawing, Centrespace Gallery, Bristol
2010 Box of Desires, Centre for Recent Drawing (C4RD) London
2009 A Thing About Machines, Herbert Gallery, Coventry
2009 5th International Drawing Biennale, Melbourne & Victoria, Australia.
2009 The Art of Research, National University of Art and Design, Helsinki, Finland
2014 Shortlisted Jerwood Drawing Prize 2014
2009 Public Award: 5th International Drawing Biennale, Melbourne, Australia
2017 Casey, S, 'Book Review of "What do Drawing and Painting Really Mean?" by Paul Crowther' in Journal of Visual Arts Practice
2017 Casey, S. 'Materiality of Nothing: Symposium Report' in Journal of Drawing Research Theory Practice Volume 2 Issue 1 (Bristol: Intellect)
2016 Casey, S.’ The Queer Intimacy of Drawing’ in TRACEY Journal of Drawing
Visualization (Loughborough; Drawing Research Network) ISSN 1742-3570
2016 Casey, S. & Davies G ‘Drawing as Babel Fish’, International Journal of Illustration,
(London: Intellect). ISSN: 20520204 (Print) ISSN: 20520212 (Online)
2015 *Casey, S. Drawn to the Surface in Coleman, R. & Oakley-Brown, E. (eds.) Theorizing
the Surface edition of Theory, Culture and Society (London: Sage) 12 minute video
2015 Casey, S. and Davies, G. ‘Lines of Engagement: Drawing Walking Tracking’ , Journal of
Visual Arts Practice
2014 Casey, S. and Davies, G. ‘A Garland of Thoughts: Ruskin and Contemporary Site/
Sight Sensitive Drawing’ in TRACEY The Journal of Drawing Research March 2014)
2018 Casey, S. & Davies G., 'Drawing Out The Mute: Speaking Through Drawing' in Gorrill, H. and Journaux, J. (eds.) Drawing Conversations: Collective and Collaborative Drawing in Contemporary Practice (Cambridge: Cambridge Scholars)
2017 Casey, S. & Davies G., ‘Drawn away from Vision’ in Heywood, I (ed.) The Senses in Art and Design’ (London: Bloomsbury)
2014 Casey, S., ‘Drawing: A Delicate Issue’ in The International Drawing Annual Vol. 8 (Ohio: Manifest Centre for Drawing), pp. 17-22
2012 Casey, S., ‘Laying Practice on the Line’ in The Art of Research Vol. 2 Processes, Results, Contributions, ed. by Maarit Makela and Tim O’Reilly (London: Chelsea School of Art and Helsinki: University of Art and Design, 2012) pp. 156-177
2011 Casey, S., ‘Across the White Expanse’ in Arctic Dialogues: Conversations between Art and Science ed. by Jane Rushton and Crispin Hallsall (Lancaster: Lancaster University, 2010) pp.8-11
2019 A True Topography of Dress : Drawing the intimate clothing of Queen Victoria and John Ruskin, Association of Dress Historians Conference, London
2018 'Touching and Tracing: The Peculiar Sensibility of Drawing in the Textiles Archive' Art Materiality and Representation, British Museum, London, 1-3 June 2018
2017 'Drawing the Dress Collection: An artists perspective' at Cloth Cultures: Future Legacies of Dorothy K. Burnham, Royal Ontario Museum, Toronto, 10-12 November 2017.
2017 'Hidden Drawers: a case study in drawing royal underwear' at The Space Between: Body-Psyche-Skin-Environment, Royal College of Art, February 3rd 2017.
2016 'Drawing and the Depictive Turn’ European Association for the study of Science & Technology (EASST) Barcelona 31 August -3rd Sept 2016.
2015 ‘Shared Sensibilities: Drawing in partnership with other fields of enquiry’ at Drawing Research Network Conference 2015 (Coventry: Coventry University) 4th December 2015
2015 Casey, S. & Ellis, R., ‘Porous Topologies of (im)perceptibility as creative process’, Royal Geographical Society Conference, Exeter, 2015
2015 Casey, S. and Davies., G,’ Drawing Sensing Sighting Sounding’ , American Association of Geographers Conference, Chicago
2014 Casey, S. and Davies, G, ‘ Crossing the Line: Drawing as Babel Fish’ , The Itinerant Illustrator International Conference 2014, Srishti School Art & Design, Bangalore India
2013 Casey, S. and Davies., G, ‘Walking the Line: An Introduction’, Walking the Line, Lancaster University, 2nd July 2013
2011 ‘Evading Capture: Dialogues between the unknown and the unseen in the artist’s sketchpad and the scientific experiment’, Recto Verso: Redefining the Sketchbook, University of Lincoln, February 2011.
2010 ‘Drawing the Delicate’ Drawing Research Network Conference 2010: Observation, Mapping, Dialogue, University of Brighton, UK, October 2010.
2010 ‘Invisible Lines and Parallel Practice’, European Association of Science Studies Conference, Trento University, Italy, September 2010.
2009 ‘Drawing Delicate Connections’, Interrogations: Creative Interdisciplinarity in Art & Design Research, Loughborough University, UK, June 2009.
2018 Being Human Festival Award
2018 Lancaster University Faculty Arts and Social Sciences Internationalisation Fund Award
2017 Arts Council England and British Council Artist's International Development Award
2016 Being Human Festival Award
2015 Institute of Physics Public Engagement Award
2015 Lancaster University FASS Impact and Knowledge Exchange Award
2014 AHRC Science in Culture innovation award (CO-I , Rebecca Ellis - PI)
2014 Lancaster University Small Grant Award for Common Grounds
2011 Lancaster University Small Grant Award for Hidden Drawers
2009 Peel Scholarship Award
2009 Student Prize: AHRC Interrogations Conference